Saturday, May 26, 2012

River Power at Todmorden Mills


Todmorden's head race seen from the Don River
 "Taylor Bros. Mill on the Don River" by D.C. Grouse, 1810
Todmorden’s changing industrial landscape describes 19th century power generation and its impact on the environment.
From a single water-powered lumber mill operating on the Don River in 1795, Todmorden grew through the 1840s into a busy mill and brewery complex. Until steam power arrived after 1850, Todmorden relied on water power supplied through a system of mill races and water wheels.

A mill race is a manmade channel that diverts part of a river's flow into the water wheel of a mill. The head race carries water to the wheel, and the tail race returns the water to the river, carrying away waste products from the mill. Mechanical sluice gates control the level of the water in the mill race.
A mill pond would form above the dam, storing water power.
Todmorden’s Two Mill Races
 
Todmorden's head race split in two north of the paper mill, 1876
By 1830, Todmorden was a booming industrial site, with numerous mills and associated businesses. To meet the growing demand for power, an east branch to the race was built, splitting off from Todmorden’s head race, just north of the paper mill building.By 1876, the east race entered a brick-lined underground channel beneath the east wing of the paper mill, roughly following the path of Todmorden's current driveway where it meets Pottery Road.

The west race remained as an uncovered watercourse, running between the paper mill building and what is now the Don Valley Parkway. 

Todmorden, 1910. The underground east race is marked as a dotted line. The west race runs from the dam, along Pottery Road.

Fire destroyed some of Todmorden’s industry in 1847. As steam power became available, the need for water power declined, and Todmorden’s mill races were ultimately used as drains for steam-powered mills.
Image from Historic Horizons, Inc.


Todmorden’s West Mill Race

In 2004, archaeologists uncovered a portion of the wheel house and west race with its preserved wooden sluice gate still in place.





Todmorden's East Mill Race
Todmorden’s mill races were gradually filled in by debris from both the Brick Works and excavation debris from construction projects in the booming city of Toronto. Todmorden’s underground east mill race remains intact beneath several metres of landfill, and a portion of its 4-metre-wide arched roof was discovered by archeologists during excavations around the paper mill building in 2000.







The east race ran under the paper mill in a brick-lined tunnel.








The underground east race resurfaced at a spot near the brewery and ran along the east bank of the Don River until it emptied into the south bend of the oxbow. One of Todmorden’s tail races is still visible near the entrance to the Wildflower Preserve, a partially filled ditch running to the west of the path.


Mill race at low water. Sluice gate may be closed, or dry spell in the weather.
Todmorden Mills's head race at Pottery Rd, 1909.

















A mill race is a powerful and sometimes dangerous watercourse. One of William Helliwell’s children died in an accident at the mill in 1844, possibly drowning in the millrace.

Steam power came to Todmorden in the 1870s, and the paper mill's landmark chimney was built. Water power became a secondary, back-up system to coal-fired steam engines. As power generation changed, Todmorden’s mill races continued to in use, but mostly as sewers for factory wastes. Chemical effluent from paper mills and organic wastes from saw mills damaged the water quality of the Don River.

In 1917, Todmorden was acquired by a Toronto construction company and used as a landfill for excavation debris from downtown building sites. The first storeys of the paper mill building and the brewery, as well as Todmorden's mill races, were buried under several  metres of landfill.

The northern end of the head race was eventually buried under the embankment of the Don Valley Parkway in 1960.



Saturday, May 12, 2012

Thinking in 3 directions

I'm working on an cut-away illustration/diagram of a 19th century brewery that used to stand on the Don River near Broadview Avenue. The building burned down in 1847, but the landscape was never redeveloped. From the brewer's diary (which he kept almost every day for many years) I can glean small references to the layout of the brewery, and its malt house, brew tower etc. In addition, beer enthusiasts everywhere have created a large body of educational material about how it might have functioned inside. From these three directions, I'm able to imagine what the brewery looked like, and how people worked inside of it. I'm visually reconstructing something that hasn't stood on that spot in over 150 years.

Thursday, May 10, 2012

Zhang Huan's moving testimonial

Zhang Huan...ash paintings and carved ancient doors. Absolutely the most meditative and moving show I've seen at AGO.  Picasso is great, and huge. Zhang Huan is smaller, but just as huge. I envisioned a place where mats could be arranged in the centre of the space, for meditations.

Wednesday, May 9, 2012

New waves of museum fundraising

A fundraising discussion on a  museum listserve was slammed down by the site's admin as soon as it started recently, and that's too bad because there are so many exciting, engaging, meaningful, content-full, and participatory ways to raise funds for your musuem programs these days. One of my colleagues from U of T Museum Studies, Yael Filipovic has posted this Kickstarter plea on Facebook: http://www.kickstarter.com/projects/spurse/eat-your-sidewalk

And the sneaker-shod CEO of Kickstarter, Yancey Strickler, is interviewed in the NYTimes's Corner Office column, providing some profound (and FUN) insights into fundraising with an ethical heart.  I love his finishing comment: "Old forms of patronage were about the elite being able to just incentivize people to create the art that they wanted." says Strickler, "And now you have anyone, anyone can be a patron of the arts. Anyone in the world."
http://www.marketplace.org/topics/business/corner-office/kickstarter-diy-fundraising-social-network-age


Tuesday, May 8, 2012

iPad Self Portraits





Outreach in Museums

Delighted to drop into the Canadian Art Gallery Educators symposium hosted at the Art Gallery of Ontario this weekend. Had a nibble with some new colleagues at FRANK Saturday night, and then returned Sunday for Lois Silverman's keynote. Lois's ideas about the social work of museums generated quite a bit of discussion later in the day, which continued on Monday during the rather impromptu Session X.  Delegates had agreed on 'museum outreach' as the topic of session, a crucial issue for museologists, whether art gallery educators, curators, interpreters or even those hiring staff, building boards, or raising funds. We're seeking an model of programming and work environment into which new ideas can integrate, but we recognize that if identity is a work in progress then we must tolerate a constant zone of discomfort - not just accept it as normal, but also welcome it as a sign we're doing well!